Tavi Roastery
BRANDING
BRANDING
“Attentive Nourishing Imaginative”
TAVI is a coffee brand that is inspired by a rural village in northern Thailand where almost every villager is working in the coffee field. I collaborate with the local distributor, the farmer and interior design studio to design a new branding and help them promote the local coffee industry.
TAVI is a coffee brand that is inspired by a rural village in northern Thailand where almost every villager is working in the coffee field. I collaborate with the local distributor, the farmer and interior design studio to design a new branding and help them promote the local coffee industry.
Tasty Congee Noodle & Wantun Shop
GRAPHIC DESIGN
GRAPHIC DESIGN
Graphic Design for Tasty Congee Noodle & Wantun Shop
COMNET
BRANDING
WEBSITE
BRANDING
WEBSITE
Website and branding design for Comnet Systems Pte Ltd, Singapore’s most established IT Cabling and ELV Integrator.
Lacquerware x Hyperist
ILLUSTRATION
PACKAGING
ILLUSTRATION
PACKAGING
Illustration and packaging design in collabaoration with Hyperist Printing studio.
Valentine at Chongjaroen
ANIMATION
ILLUSTRATION
ANIMATION
ILLUSTRATION
Animation projection mapping under the Valentine theme, commission for Chongjaroen.
Refrains On the Edge of Appearance
Exhibition
Sculpture
Exhibition
Sculpture
Refrains on The Edge of Appearance (or Refrains) is a group exhibition at outhouse gallery, featuring emerging and mid-career artists including Yadanar Aung, Lu Lei, Arty Nicharee, Aarti Pillai, Liszu Tan and Moses Tan. The exhibition presents a multidisciplinary dialogue of sculpture, performance, writing, moving image and textiles.
This project’s direction begins with Martinican poet and postcolonial theorist Édouard Glissant’s (1997) right to opacity, a strategy for resistance and solidarity amongst those who are routinely othered. Refrains examines this framework for relation through language—in its sound, text, narration, translation and censorship. Embracing illegibility over fluency, Refrains exhibits the experiences of artists from the Southeast Asian diaspora through fragments of clarity and noise. Each work carries a phantasmological
quality: sculpted, drawn, sewn or captured by hidden hands. Together, the artworks converse with one another across borders and tongues, embracing the multiplicities of national identity and lingua francas.
Entering the space, we are invited to attune ourselves to the reverberations of each work and recognise that there is more than what remains in the open. Rather than providing solutions, this project aims to create a temporary space for the construction of communal knowledge. The exhibition’s conversations expand through a series of intimate workshops, where visitors can rest and pause the impulse to grasp immediate
comprehension.
In a collective voice, we ask: In a contemporary (art) world obsessed with discovering the unseen, what is left? What forms of empowerment and political action might the hidden take? Outside of a colonial gaze that demands transparency, how do we listen to each other?
This project is supported by Shoes Off, a growing collective and network of creatives based between London, UK and Southeast Asia.
This project’s direction begins with Martinican poet and postcolonial theorist Édouard Glissant’s (1997) right to opacity, a strategy for resistance and solidarity amongst those who are routinely othered. Refrains examines this framework for relation through language—in its sound, text, narration, translation and censorship. Embracing illegibility over fluency, Refrains exhibits the experiences of artists from the Southeast Asian diaspora through fragments of clarity and noise. Each work carries a phantasmological
quality: sculpted, drawn, sewn or captured by hidden hands. Together, the artworks converse with one another across borders and tongues, embracing the multiplicities of national identity and lingua francas.
Entering the space, we are invited to attune ourselves to the reverberations of each work and recognise that there is more than what remains in the open. Rather than providing solutions, this project aims to create a temporary space for the construction of communal knowledge. The exhibition’s conversations expand through a series of intimate workshops, where visitors can rest and pause the impulse to grasp immediate
comprehension.
In a collective voice, we ask: In a contemporary (art) world obsessed with discovering the unseen, what is left? What forms of empowerment and political action might the hidden take? Outside of a colonial gaze that demands transparency, how do we listen to each other?
This project is supported by Shoes Off, a growing collective and network of creatives based between London, UK and Southeast Asia.
‘Obscured Fragrance’
Inspired by the royal heritage of Thai floral craftsmanship, this sculpture reimagines ‘Khruang Khwaen’, the traditional hanging floral decoration, as a solid stoneware form. The piece investigates the boundaries of communication and the politics of visibility, it explores how language is obscured or left untranslated due to the censorship surrounding the Thai elites. Through this solid form, the sculpture captures the stagnant reality of political censorship in Thailand, reflecting on how this silence continues to corrupt both society and the royal court itself.
Photo Credit: Dennis Ngan
Rose Jail
Exhibition
Sculpture
Exhibition
Sculpture
‘The Thorn of A Bud’
This body of work explores how algorithms and dating apps restrict our potential for connection, narrowing the vast possibilities of romance into a digital cage. By integrating the organic beauty of roses with the rigid structure of a cage, I aim to visualise the tension between our desire for growth and the technological limitations that bind us.
In our current era, we have become over-reliant on “checking boxes” to find compatibility. This curated approach often leads to a hollow outcome; individuals match based on identical credentials, yet find themselves unable to sustain a connection once they step outside the screen. The platform facilitates the meeting, but often hinders the real relationship.
The digital medium frequently demands a performance, conversations become scripted, often dictated by the statistics of a bio rather than the spontaneity of a shared moment. This lack of authenticity creates a fear of being one’s genuine self, ultimately killing the very initiation of meaningful intimacy. Through this work, I question the paradox of modern-day romance:
Why are we working so hard to go on dates, only to ensure we never speak to each other again?
This body of work explores how algorithms and dating apps restrict our potential for connection, narrowing the vast possibilities of romance into a digital cage. By integrating the organic beauty of roses with the rigid structure of a cage, I aim to visualise the tension between our desire for growth and the technological limitations that bind us.
In our current era, we have become over-reliant on “checking boxes” to find compatibility. This curated approach often leads to a hollow outcome; individuals match based on identical credentials, yet find themselves unable to sustain a connection once they step outside the screen. The platform facilitates the meeting, but often hinders the real relationship.
The digital medium frequently demands a performance, conversations become scripted, often dictated by the statistics of a bio rather than the spontaneity of a shared moment. This lack of authenticity creates a fear of being one’s genuine self, ultimately killing the very initiation of meaningful intimacy. Through this work, I question the paradox of modern-day romance:
Why are we working so hard to go on dates, only to ensure we never speak to each other again?
House at County Hall Pottery
Exhibition
Sculpture
Exhibition
Sculpture
This project explores the integration of Thai Malai, or traditional flower garlands, into a series of functional ceramic household objects. By reinterpreting the intricate form and deep cultural meaning of the Malai, I created a collection that brings a sense of warmth, respect, and vibrant energy into the domestic space, particularly during the colder, darker months.
The Malai is more than a decorative object; it is a powerful symbol of respect, welcome, and hospitality in many Southeast Asian cultures. The act of giving a Malai is an expression of honour, often used to welcome guests, pay homage to elders, or celebrate significant occasions.
This project seeks to translate that feeling of welcome and reverence into tangible, everyday objects that enrich the home environment. The process of creating a Malai, meticulous stringing of individual blossoms, is a meditative practice that demands patience and attention. This ties into the very nature of ceramics, which also requires a slow, deliberate, and thoughtful process. Through this project, I explored the parallel themes of patience and impermanence, transforming the ephemeral beauty of fresh flowers into durable, lasting forms.
The Malai is more than a decorative object; it is a powerful symbol of respect, welcome, and hospitality in many Southeast Asian cultures. The act of giving a Malai is an expression of honour, often used to welcome guests, pay homage to elders, or celebrate significant occasions.
This project seeks to translate that feeling of welcome and reverence into tangible, everyday objects that enrich the home environment. The process of creating a Malai, meticulous stringing of individual blossoms, is a meditative practice that demands patience and attention. This ties into the very nature of ceramics, which also requires a slow, deliberate, and thoughtful process. Through this project, I explored the parallel themes of patience and impermanence, transforming the ephemeral beauty of fresh flowers into durable, lasting forms.
Housewarming
WORKSHOP
EXHIBITION
E
WORKSHOP
EXHIBITION
E
Haptic Tactic invites you to slow down and listen to yourself again, trading external judgement for internal curiosity.
This workshop is a gentle, hands-on experience. We will use clay, a malleable, slow, and forgiving medium, as a tool to reflect. You will craft your personal narratives into buttons, finding your way to a more intuitive way of making.
This workshop is a gentle, hands-on experience. We will use clay, a malleable, slow, and forgiving medium, as a tool to reflect. You will craft your personal narratives into buttons, finding your way to a more intuitive way of making.
A Stroll
EXHIBITION
An illustration exhibition showcasing 20 like-minded illustrators’ works.
